June 24-25, 2021 | Virtual Conference
2021 ACSA/EAAE Teachers Conference
Curriculum for Climate Agency: Design (in)Action
Schedule
October 14, 2020
Abstract Deadline
February 2021
Abstract Notification
June 24-25, 2021
Teachers Conference
July 28, 2021
Full Paper Deadline
Schedule + Abstracts: Friday
Following is the conference schedule, which is subject to change. This year’s Teachers Conference will be held virtually from June 24 – 25, 2021. The virtual conference will be a forum for dialogue & debate on Curriculum for Climate Agency: Design (in)Action.
Schedule with Abstracts
Below read full session descriptions and research abstracts. Plan what session you don’t want to miss.
Obtain Continuing Education Credits (CES) / Learning Units (LU), including Health, Safety and Welfare (HSW). Registered conference attendees will be able to submit session attended for Continuing Education Credits (CES). Register for the conference today to gain access to all the AIA/CES credit sessions.
Friday, June 25, 2021
10:00 – 11:00 EST /
16:00 – 17:00 CET
Discussions
Group Discussions
Networking Session
10:00 – 11:00 EST /
16:00 – 17:00 CET
Special Focus Session
1 HSW Credit
Imag(in)ing a Future Imperfect
Virtual Exhibition Opening + Artist Talk
Moderators:
Jørgen Johan Tandberg, Oslo School of Architecture and Design
Jonathan A. Scelsa, Pratt Institute
Luis Callejas, Oslo School of Architecture and Design
Image Presenters:
Audrey Tseng Fischer, Yale University
Brittany Utting, Rice University
Daniel Jacobs, University of Houston
Dragana Zoric, Pratt Institute
Nancy Diniz, Central Saint Martins University of the Arts London
Kevin Marblestone, Designer
Jason Vigneri-Beane, Pratt Institute
Rem, Pedreschi, University of Edinburgh
Session Description
This session will provide the opening of the virtual exhibition of Imag(in)ing a Future Imperfect. Building upon the conference’s theme on the state of design pedagogy in the face of climate change, selected artist’s will be invited to present their image and discuss their process of image making as a form of climate agency. The work will be discussed in terms of medium, content and message. This session will also serve to announce the themes for the expanded Call for Images and physical exhibition to be held at Pratt Institute as a part of the 2022 Charter Summit.
30-minute
Coffee Break
11:30 – 12:30 EST /
17:30 – 18:30 CET
Research Session
1 HSW Credit
INHABITING THE HYDROSPHERE
Moderator: Sabine Muller, Oslo School of Architecture and Design
Transforming the Design Studio Through an Engagement With Melbourne’s Hydropshere
Leire Asensio-Villoria & David Mah, University of Melbourne
Abstract
How does a deliberate engagement with a hydrosphere injured by climate change impact the development of new curricula for the design studio? Given the anticipation of major destabilizations to our hydrological cycles, it is vital to question whether the conventions of design practice as well as teaching still hold water? As the development of established disciplinary and practice standards in architecture have been informed by the presumption of a stabilized Holocene, when formulating new design courses, could the design fields acclimatize to a new set of contexts and practices?
This paper will elaborate on this by reflecting on an ongoing series of design studios that we have initiated and directed within architecture as well as urban design programs in Melbourne, Australia that focus on cultivating design practices that respond to climate challenges associated with the hydrosphere. These threats are defined by oscillations between two extremes; its acute overabundance and an austere scarcity. Climate change is anticipated to bring an increased frequency and severity of flood events to the city’s neighborhoods while extended droughts will threaten the capacity for water as a resource to sustain Melbourne’s existing ecologies and projected populations.
The possibility of wild swings between tempestuous weather and protracted droughts challenges the idea of place. Notions of the enduring sense of place, which has figured heavily in design education and discourse, are questionable when designers face an environment defined by dramatic instability. In lieu of site and place, these design studios are contextualized within wider dynamic urban and ecological systems. The studio context or site benefits from its reconceptualization as an ecosystem wrought from mutable associations of energy, population and material flows.
Emphases placed on scale specificity is also probed in the studio, whereby an immersion within the hydrosphere obliges an engagement with multitudes of local and interregional scales, spanning between tangible locations in the city to global structures. The Melbourne studios adopt hydrological cycles across this wide spectrum of scales and its embeddedness within food, waste and energy systems as the specific contexts of their speculative interventions.
As the conceptualization of site shifts, the studio brief is also transformed. Rather than standard programmatic briefs, design strategies emerge from a dedicated investigation of the context systems and metabolisms. Consideration of how design may augment the hydrosphere precedes any concrete definition of the nature of the proposal itself. Our studio curriculum is defined by conjectural sensibilities and lyrical dialogues with instability. This obliges us to cast a critical eye over the traditional outcomes of the design studio and to elaborate on design proposals that also overturn disciplinary stability by bridging to other fields. Design migrates from the exclusive material definition of proposals to the search for adaptable and mutable interventions capable of assuming multiple conditions, behaviors and associations. This submission aims to elucidate on the transformation of the design studio curriculum through these Melbourne-based studios provoked by the urgency for design action within the hydrosphere.
The Transition Between Rural and Urban in the Peri-Urban Fringes: Water as a Primary Design Tool
Lavinia Dondi, Politecnic of Milan
Abstract
The focus is on the peri-urban landscape, placed between suburban settlements and the surrounding countryside. It is configured as an “uncertain” area, unable to have crucial urban relations and convincing rural and agricultural fabric. Different expressions of fragility, both physical and social, coagulate in these places: the reason why they represented a significant object of study for several decades, becoming symbols of problematic urban models. Unbalanced use of the soil leads the countryside to be residual and the settlements to be invasive, fueling a general fragmentation of the connections. The design of open spaces visualizes the layout’s inadequacy the most, showing an inability to mend suburban places and be transitional to the surrounding countryside. Buildings were the real focus of the peri-urban plans, even if in-between open spaces are more expansive than within the city, and therefore more strategic.
Among the possible regeneration processes, the one that starts from a rural, rather than urban, perspective seems to be the most interesting. Today, what appears essential is considering the peri-urban countryside areas, not as a possibility for the urban fabric to expand, but as the necessary open spaces that complete the suburban fringes’ layout. Actively involving rural areas contributes to a more effective transition between countryside and urban elements and improves a general reinforcement of the open spaces system, thus conceiving as the settlement’s backbone. The importance of inhabiting countryside as loisir spaces for the citizens, beyond agricultural production settings, became more urgent during pandemic times, in which wide open spaces became the safest areas.
Therefore, to imagine a multifunctional countryside to inhabit, one of the crucial design tools to work with is the water. Streams innervating the countryside can represent pivotal devices to rethink transitional open spaces in layout and uses between rural and urban practices. Simultaneously, working with streams allows counteracting or preventing possible water imbalances investing and damaging urban areas due to climate change effects and inadequate ways to anthropize the territories. The more dilatated fabric of the peri-urban landscape allows considering water and its ecological connections as a primary design tool.
By investigating the more significant design actions connected to these topics, two case studies in Europe seem to be pivotal: the Ecological Park of Saint-Jacques located near Rennes by Atelier de Paysage Bruel Delmar (2008-15) and the Landscape Park Pauwels in Tilburg designed by Strootman Landschapsarchitecten (2018). They prove how effectively providing basins, enlargements, or creeks to contain or filter water or manage runoff can go hand in hand with design goals: improving the relationship between people and water, mending walking or cycling routes, and planning a network of places to rest.
Peri-urban areas need spatial devices to relate rural and urban elements, connect ecological issues, infrastructures to prevent water instability, and a general perception of open spaces’ habitability, whose critical condition became more impelling. The architect’s vision, a cross-scalar and multidisciplinary one, works as a mediation between natural, built elements and people gestures, assuring “anti-fragile” and adaptive processes to be efficient in constructing landscape.
Barron P., Mariani M. (eds.) (2014), Terrain Vague: Interstices at the Edge of the Pale (London: Routledge).
Bruzzese A., Lapenna A. (eds.) (2017), Linking Territories. Rurality, Landscape and Urban Borders. (Roma-Milano: Planum Publisher).
Del Fabbro M., De Togni N., Dezio C., Dondi L., D’Uva D., Fontanella E., Kercuku A., Lepratto F., Mattioli C., Morganti M., Pessina G., Setti G., Tognon A., Vendemmia, B. (eds) (2019), “Territorial fragilities in Italy. Defining a Common Lexicon”, Territorio 91: 22-54.
Donadieu P. (2013), Campagne urbane. Una nuova proposta di paesaggio della città (Roma: Donzelli).
Prominski M., Stokman A., Zeller S., Stimberg D., Voermanek H., Bajc K. (2017), River.Space.Design. Planning Strategies, Methods and Projects for Urban Streams (Basel: Birkhäuser).
Waldheim C. (2016), Landscape as Urbanism. A General Theory (Princeton: Princeton University Press).
Zeunert J. (2017), Landscape Architecture and Environmental Sustainability. Creating Positive Change Through Design (New York: Bloomsbury).
Teaching Delta Urbanism in the Anthropocene: Educating to reduce risk and enhance wellbeing across Louisiana’s dynamic coastal-inland continuum
Traci Birch, Louisiana State University
Abstract
In August 2016, a low-pressure system dropped 22-31” of rain in three days across Louisiana’s capital region (see Figure 1). Resultant flooding took 13 lives, damaged roughly 145,000 structures, and brought the Gulf Coast region to a standstill with multi-day closures of interstate highways. Touted as a “one-in-1,000-year flood” this was the third such event in 2016 in the southeastern US, and one of ten since 2010. Climate predictions indicate severe precipitation events are likely to increase in frequency and intensity (Prein et al., 2016). While Louisiana has demonstrated large-scale risk reduction is possible through coastal protection and restoration, significant inland flooding indicates coastal management alone is not sufficient (Birch & Carney, 2019). There remains a gulf between demonstrated vulnerabilities and systematic deployment of new design practices at sufficient scale to reduce regional flooding.
To bridge this gap, the Louisiana State University’s Coastal Sustainability Studio (CSS) launched a multi-disciplinary effort known as Inland from the Coast (IFC). Founded in 2009, CSS is a trans-disciplinary institute engaging architects, landscape architects, planners, coastal scientists, and civil engineers to research and respond to issues of resettlement, restoration, and socioeconomic sustainability. In 2017, the Gulf Research Program of the National Academies of Science and the Robert Wood Johnson Foundation funded IFC as part of the Thriving Communities program. The three-year grant expanded the CSS model to include faculty and students from across the university – including disciplines such as geography, psychology, and law; as well as the Universities of New Orleans and Florida. Funding required innovative applied research approaches. To achieve this, the team also included members from local chapters of American Institute of Architects, American Planning Association, and American Society of Landscape Architects.
IFC posed three questions: How is climate change impacting communities across a coupled coastal-inland system? How can greater understanding of environmental risk and community well-being increase adaptive capacity? How can well-being and adaptation scholarship be incorporated into community-based design? The project took a multi-scalar approach, addressing issues of ecological, social and infrastructural systems across the Amite River watershed (see Figure 2), which includes coastal, transitional, and inland communities (Bilskie & Hagen, 2018). To address environmental and social uncertainty, researchers and students developed coastal-inland hydrodynamics models of the watershed, and a Community Well-being Index, to provide quantifiable measures of pre- and post-disaster recovery capacity. These tools directly informed participatory design processes in flood-damaged communities at the building, neighborhood, and community scales. Design work also scaled up to address regional risk reduction and well-being co-benefits. Participatory processes provided unique opportunities for students and researchers to collect local environmental knowledge for application to design processes. Over three years, the project supported 32 multi-disciplinary graduate students, who actively engaged the public and worked closely to address complex questions of risk reduction. Further, IFC supported 18 integrated design, engineering, and planning courses engaging students across the university and across institutions to enhance community designs. This presentation and paper will highlight the successes, challenges, and provide a framework for others to follow for climate education and action.
Prein, A. F., Rasmussen, R. M., Ikeda, K., Liu, C., Clark, M. P., & Holland, G. J. (2016). The future intensification of hourly precipitation extremes. Nature Climate Change, 7(48)
Birch, T., & Carney, J. (2019). Delta Urbanism: Aligning Adaptation with the Protection and Restoration Paradigm in Coastal Louisiana. Technology|Architecture + Design, 3(1)
Bilskie, M. V., & Hagen, S. C. (2018). Defining Flood Zone Transitions in Low-Gradient Coastal Regions. Geophysical Research Letters, 45(6)
11:30 – 12:30 EST /
17:30 – 18:30 CET
Research Session
1 HSW Credit
DESIGN AGENCY – ANTI-DESPAIR
Moderator: Håkan Edelhold, Oslo School of Architecture and Design
Climate Health/Care: A Low Carbon-Points Pedagogy
Luis Hernan, University of Sheffield
Carolina Ramirez-Figueroa, Royal College of Art
Emma Cheatle, University of Sheffield
Abstract
In his series of Podcasts on the end of the world, Timothy Morton explains one of the main challenges in theorising the anthropocene: the video game logic. There is a certain mentality, often white, often middle class, often male, which rolls up its sleeves, sits down and goes — right, let’s bloody solve the climate emergency (did you see how many carbon points it scored in just that one move?).
Whilst recognising the gravity of our situation, we write from a site of resistance to all-encompassing, utilitarian, efficient, and heroic pedagogies. We believe in the transformative potential of pedagogies, but oppose the handing down of methodologies that simply decarbonise buildings or make our products “greener”. Like Donna Haraway, we are convinced of the need to ‘stay with the trouble’ and accept that the so-called climate emergency cannot be solved and is not new — it is entangled with colonial, exploitative practices that extract value from world resources and peoples.
In this ethos for a slower reflection on the long tentacles of climate change, we argue for an understanding of the way that our designed world has (ill) effects on the health and wellbeing of humans and non-humans. Climate health/care does not score many points but instead aims to address the way that climate change affects populations unequally, especially those that lack agency: people of colour, migrants and refugees, the homeless and certain species of animals bear the brunt of the emergency, whilst the elite are protected by wealth and the guise of a high carbon point score. Whilst certain natural environments are disappearing, our constructed environments – homes and healthcare settings – are often poorly conceived, positioned and constructed and do little to protect those most at risk of flooding, weather disasters, damp, mental distress and poor health. Further, our hierarchical attitudes to the planet, and its climate, which suppose that humans are superior – also seen in the high carbon point ‘solutions’ to climate emergency discussed above – and hence prioritise humans over non-humans, dangerously undermines the nuanced ecologies we inhabit. We eradicate other life forms at our peril.
Here we discuss climate health/care pedagogies, rooted in our background as creative and humanities practitioners/theorists, to engage with the intersections of design and health. Following the ‘arts of living on a damaged planet’, our approaches include creative-biological methods to understand the bio-social, to narrative writing that makes close readings or micro-histories that speculate on the personal existences of different people, animals and places of health, to instruments constructed and constantly reconfigured to understand health anxieties. We use these tools to reflect on the state of the thesis curriculum at the two institutions where we collectively teach, The Bartlett and Sheffield School of Architecture. We discuss the shortcomings and opportunities to open up the definition of climate care to include health interactions between humans and non-humans and reflect as much as we speculate on the ways we can raise awareness and invite conversation and kinship.
Donna Haraway, Staying with the Trouble: Making Kin in the Chthulucene (2016)
Maria Puig de Bellacasa, Matters of Care: Speculative Ethics in More Than Human Worlds (2017)
Anna Lowenhaupt Tsing, The Mushroom at the End of the World (2015)
Timothy Morton, We’re Doomed! in The End of the World has Already Happened, BBC Radio 4 (2020)
Anna Tsing, Heather Swanson, Elaine Gan, Nils Bubandt (eds), Arts of Living on a Damaged Planet (2017)
Deep Time Architecture
Cristina Parreño, Massachusetts Institute of Technology
Abstract
Effectively acting upon our most urgent crises requires a profound understanding of how to mentally inhabit the timescales at which they operate. This paper discusses the Deep Time Project on Climate Change, a new pedagogical experiment that aims to radically expand architecture’s time sensibilities, set under the premise that as the geological actors that we have become, we must develop the deep time literacy demanded by the great challenge of becoming true planetary stewards. The unprecedented global challenges we are facing today demand a paradigmatic shift in time perception by which shallow (global) and deep (planetary) timescales are acknowledged as entangled and as equally integral to the human condition and to architecture as a human activity. This shift, which starts with the recognition of deep time as part of architecture, will inevitably bring about new—and urgently needed—levels of consciousness to the ways in which architecture relates to this planet. The narrower perspectives of mainstream architectural pedagogies have encapsulated the discipline within the boundaries of the global, limiting its agency to only what humans are capable of doing. The DTPoCC aims to incorporate the dimension of the planetary by which the agent of architecture expands, becoming a complex formation that involves humans and more-than-humans—from the technologies involved in the production of a building, for instance, to the geological substrate that supports it. The dimension of the planetary, situates architecture in a world of entanglements between geological, technological, human, animal, and viral bodies co-producing the environment and deeply connected to the Earth cycles.
ReFuturing Studio: Designing long term sustainability for the Biosphere
Jomy Joseph, Oslo School of Architecture and Design
Abstract
The trajectories of the Earth’s climate and ecosystem services are unraveling (Steffen et al., 2018). As the worst climate predictions come to pass, it is important to introspect on the predictable consequences of our global economic system designed for extractivism. A system that has favored a handful of people (Chancel & Piketty, 2015) at the cost of human and ecological well-being, putting the life sustaining biosphere on the path to “biological annihilation” (Ceballos et al., 2017). Today, this negation and erasure of our collective possibilities and futures constitute a “defuturing” (Fry, 1999). This paper will discuss these perspectives from observations and discussions with students in a workshop called “ReFuturing Studio”. The workshop, held across three countries, from both the Global South and the Global North, has attempted to engage with young designers on the urgency of climate breakdown and sustainable futures beyond “business as usual” (BAU). Curiously, we find that many of the students envision futures where problems of overpopulation, resource wars, scarcity, rogue artificial intelligence, climate refugees, mass extinction are to be ‘solved’ through totalitarianism, militarism, techno-optimism with digital and biotech domination, and global surveillance as necessary interventions to preserve future progress and development and avoid climate disaster. Confronted with the profoundly wicked problems of climate breakdown, far too often they inadvertently reinforced colonial, patriarchal and ecologically destructive assumptions of today into the future. Thus, their attempts at imagining alternative futures results in a future ‘world’ being destroyed, arguably further entrenching their climate despair for lack of action.
Therefore, this paper argues for a “refuturing”—a re-imagining, rethinking and ‘re-humanizing’ beyond the homogenizing and hegemonic futurism of BAU, where designers and design educators can begin to nurture profoundly divergent ‘pluriversal’ worlds (Escobar, 2018). Arguably then, the task of “refuturing” must be to reclaim that which is defutured and dehumanized, as a counter hegemonic practise of ‘designerly knowing’ these yet unknown futures. Refuturing requires a new imagination in designing for climate justice, central to which is the integration of decolonizing perspectives within the intellectual and material practice of design education, more specifically towards long term sustainability given the urgency of climate breakdown. Refuturing thus critically looks at the larger systemic assumptions that plague the defutured and dehumanized future visions and instead proposes alternative perspectives and solution spaces for speculating other, pluriversal future worlds. Lastly, this paper will propose how refuturing could reconcile design practice with climate action by “designing for the biosphere” that which looks to regenerate ecosystems as a means for social and ecological flourishing.
Ceballos, G., Ehrlich, P. R., & Dirzo, R. (2017). Biological annihilation via the ongoing sixth mass extinction signaled by vertebrate population losses and declines. Proceedings of the National Academy of Sciences, 114(30), E6089–E6096. https://doi.org/10.1073/pnas.1704949114
Chancel, L., & Piketty, T. (2015). Carbon and inequality: From Kyoto to Paris. 50.
Escobar, A. (2018). Designs for the Pluriverse: Radical Interdependence, Autonomy, and the Making of Worlds. Duke University Press. http://ebookcentral.proquest.com/lib/ahono/detail.action?docID=5322528
Fry, T. (1999). A new design philosophy: An introduction to defuturing. UNSW Press.
Steffen, W., Rockström, J., Richardson, K., Lenton, T. M., Folke, C., Liverman, D., Summerhayes, C. P., Barnosky, A. D., Cornell, S. E., Crucifix, M., Donges, J. F., Fetzer, I., Lade, S. J., Scheffer, M., Winkelmann, R., & Schellnhuber, H. J. (2018). Trajectories of the Earth System in the Anthropocene. Proceedings of the National Academy of Sciences, 115(33), 8252–8259. https://doi.org/10.1073/pnas.1810141115
11:30 – 12:30 EST /
17:30 – 18:30 CET
Research Session
1 HSW Credit
MONSTROUS INFRASTRUCTURE – ALTERNATE SCALES OF PRODUCTION
Moderator: Jonathan A. Scelsa, Pratt Institute
Micro infrastructures and Geopolitics: Agile Water Alternatives for the Lebanese Terrain
Carla Aramouny, American University of Beirut
Abstract
In Lebanon, inefficiencies of infrastructures and the deterioration of the natural environment, from negligence and lack of sustainable governmental strategies, are rapidly spiraling out of control leading to severe impacts on the local community. This is particularly evident in water environments, fresh water supply, and infrastructure, where the situation has led to polluted waterways and increased shortage in supply despite high rainfall and snow levels. Though geographically rich with high mountains, rivers, and springs, Lebanon in 2019 was listed by the World Resource Institute1 (WRI) as one of the countries with the most severe water stress levels. The relatively small country is further delineated by powerful neighbors, where the interconnection of waterways and fluid networks results in further restrictions and constraints on this natural resource. Fears of political corruption and inflated costs for projected mega infrastructures by the government have as a result mobilized the local civil society into action.
Within such framework, I teach an advanced elective for undergraduate architecture students, that pushes them to use design and visualization as advocacy tools to affect change on infrastructural systems in Lebanon. In the past session of the course, we focused on water as an urgent concern, and expanded the research and proposals to problematics affecting the geopolitics of water: from territorial scales of conflict and negligence, to local infrastructural deterioration, and the urgency for action and design engagement.
The proposals developed by the students focused on approaches of agility and alternate scales for new water systems, moving beyond mega-scale infrastructures to more resilient alternatives. They tackled and dissected local areas of dispute and potential, both for water and collective opportune. Through research and visualization developed into a design pamphlet, the student proposals attempted to situate and respond to local freshwater needs through a distributed network of small hybrid interventions that additionally activate a spatial social or cultural function. Each project focused on a particular lens of investigation, from polluted sources, lack of rainwater collection or water treatment systems, to cross-border conflict and water regulations. The proposals further tackled specific keys sites: from the Litani river’s toxic basin, Beirut’s roofs as water collection reservoirs, the Assi river’s geopolitical constraints, the Hasbani river’s water conflict, to the problematic Bisri Dam project and its necessary demise. Integrating advocacy with visual research, each of the students’ visions set forth an operative trajectory for water and spatial hybrids, incorporating performances such as rainwater collection systems, adaptable irrigation, toxicity indicators, ground water recharge and others.
This paper thus reflects on the developed work and the necessity to employ design agency towards environmentally aware and responsive projects that cross spatial and social needs with infrastructure. It presents the case of Lebanon and the envisioned main tactics for water potentials through the course’s approach and student results. It further positions a responsibility on the architecture field to expand beyond the immediate bounds of the discipline to address essential environmental and infrastructural needs through applied design research.
1 – Rutger Hofste, Paul Reig and Leah Schleifer, “17 Countries, Home to One-Quarter of the World’s Population, Face Extremely High Water Stress”, World Resource institute (WRI), August 2019, viewed at
Palm-House
Brittany Utting, Rice University
Daniel Jacobs, University of Houston
Abstract
PALM-HOUSE is an ongoing research and design project investigating the relationships between natural ecosystems, material commodities, and ecological care. The project takes the form of a speculative design for the Orto Botanico in Padua, Italy, a Medieval garden founded in 1545. Within this walled garden is a palm house protecting Goethe’s Palm, a Mediterranean Palm planted in 1585 that served as the inspiration for Goethe’s The Metamorphosis of Plants. The architecture of this palm house, performing as a protective shelter for a single specimen, can be critically examined as an index of the changing relationship between a living ecosystem and the technical, environmental, and material systems required for its care.
The development of greenhouse technologies reveals a constant tension between architectures of care and systems of extraction. Early greenhouses were often temporary structures built to protect non-native species vulnerable to extremes in temperature and weather. Industrial forms of horticultural production, however, transformed these seasonal shelters into large-scale infrastructures, emerging from the reciprocal development of iron, glass, and colonial capitalism (as embodied in the Kew Gardens palm house from 1844). Today, new generations of greenhouse landscapes take the form of immense distribution centers for living material, supporting a global network of living specimen commodities and horticultural products. The scale of these ecological infrastructures, incorporating big data with surveillance technologies, provide these logistical enclaves with full biological, climatic, and digital control.
PALM-HOUSE proposes three new prototypes for an updated enclosure for Goethe’s Palm, constituting an alternative ethos for horticultural technology. Making visible the conditions of care work and ecological maintenance, the project proposes a more intimate trans-species alliance within greenhouse architecture. PALM-HOUSE 01 produces new atmospheric compositions, expelling clouds of gases and vapor to envelope the palm when external weather conditions are not ideal. Care workers adjust an air schedule to curate atmospheres composed of particulate clouds, molecular swarms, and synthetic ozones, producing an oxygen-rich environment for the plant to thrive. PALM-HOUSE 02 imagines a near future in which the concentration of environmental pollutants in the air have overcome the palm’s osmotic defense systems. Composed of a wall system of filters that can be adjusted in response to the current atmospheric conditions, the infrastructure is maintained by workers who continuously replace spent units in the envelope. PALM-HOUSE 03 calibrates the palm’s balance of heat and light, protecting it from extreme temperature and lighting conditions as the climate radically shifts. Utilizing moveable wall modules installed with panels of grow lights, heat lamps, and thermal greenhouse curtains, the palm house can protect the plant from extreme temperature fluctuations and prevent the harmful absorption of excess solar radiation.
Performing as what Damian White describes as “socionatural objects,” the three palm houses seek to reinscribe conditions of labor and ecological stewardship onto the environment [1]. Détourning extractive infrastructures of horticultural production—from the Renaissance botanical garden to the colonial vitrines of Kew Gardens—these prototypes trouble anthropocentric definitions of nature, weirding [2] the technologies of biological and climatic control to produce new alliances of care and ecological maintenance.
[1] Damian White, Environments, Natures and Social Theory: Towards a Critical Hybridity (London: Palgrave, 2017).
[2] Timothy Morton, Dark Ecology: For a Logic of Future Coexistence (New York: Columbia University Press, 2016.
Crisiscity: Urban Mixed-Use Infrastructure in the Anthropocene
Alexandra Barker, Pratt Institute
Abstract
In the Anthropocene thesis, human activity has affected all ecologic, geologic and biological systems and has eroded the boundary between human and non-human life and between nature and culture, with catastrophic impacts on the Earth that have brought us to a point of climate crisis. Nature is partly a human creation. As recent texts have argued, the current social and health crises are direct resultants of human actions dating back to the time of Western colonization.
Human pollution of world’s ecosystem is responsible for global warming and the threat of rising waters as well as damage to the earth’s atmosphere. This crisis has also exposed the wastefulness of the building industry, where structures fall into disuse and are demolished and dumped into landfills at astonishing rates. As the pandemic of COVID-19 continues to show, the health of people, animals, ecosystems and the environment are intimately linked. This crisis has also exposed weaknesses in our global supply chain network for consumer goods. Localizing food production and storage for easy distribution is a key strategy of urban resilience in times of crisis.
This graduate architecture studio project proposes additions to and reuse of existing urban infrastructure to locally situate small-scale food production and storage facilities squarely within the dense urban fabric of major metropolitan areas as a retrofit embedded inside existing building fabric within the public realm. Seafood aquaculture, aquaponics, hydroponics, and algae farming processes produce high yields in relatively compact environments without the necessary access to light and space that typical crops require. Hard grains and legumes can be stored for use as emergency food supply. Seeds are stored to preserve species against depletion or destruction from natural disasters and as libraries of genetic resources. Oyster aquaculture can produce food as well as seed for filtering oyster beds that are critical for the cleansing of polluted waterways.
Our test site for this project is Brooklyn’s industrial waterfronts of Red Hook and Sunset Park. Student projects explore the linkages across ecosystems, people, and animals through the lens of an architectural construct—a speculative addition and alteration to abandoned industrial buildings in these neighborhoods. Over the course of the first half of the 20th century, these neighborhoods shifted from being the busiest freight ports in the world to being abandoned once containerization changed the processes, storage, and distribution networks for shipping goods. Retail-focused adaptive reuse has saved some buildings in the neighborhood but at a cost of higher real estate prices that threaten to drive out local residents. Community groups including Uprose have successfully argued in favor of green energy and food production in industrial zones to create jobs and keep real estate in check. This approach to develop industrial mixed use buildings has the potential to keep food and supplies locally available for citizens in disaster scenarios like covid-19. Adapting these buildings to new uses that combine storage, production and public community space is the focus of these investigations. Anamorphic projection techniques produce interventions with specific orientations toward both human and non-human occupants.
Lewis, Simon, Maslin, Mark. The Human Planet: How We Created the Anthropocene. London: Penguin Books Ltd, 2018.
Lightfoot, Kent G., Panich, Lee M. Schneider, Tsim D., Gonzalez, Sara L.. “European colonialism and the Anthropocene: A view from the Pacific Coast of North America, Anthropocene. vol. 4, December 2013.
Morse, S.S., Mazek, J.A.K., Woolhouse, M., Parrish, C.R., Carroll, D., Karesh, W.B., Zambrana-Torrelio, C., Lipkin, W., Daszak, P. “Prediction and Prevention of the Next Pandemic Zoonosis. “ The Lancet Vol. 380, Issue 9857, December 2012.
Schlicting, Kara Murphy. New York Recentered: Building the Metropolis from the Shore. Chicago: University of Chicago Press, 2019.
Purdy, Jedidiah. After Nature: A Politics for the Anthropocene. Cambridge: Harvard University Press, 2015.
Yusoff, Kathryn. A Billion Black Anthropocenes or None. Minneapolis: University of Minnesota Press, 2018.
https://criticalposthumanism.net/anthropocene/
https://www.anthropocenemagazine.org/2020/08/a-memo-from-the-year-2050/
https://billionoysterproject.org/reefs/
DiPaola, Francesco, Inzerillo, Laura, Pedone, Pedro, Santagati, Cettina. “Anamorphic Projection: Analogical/Digital Algorithms.” Nexus Network Journal, November 2014.
Beyond Industry: A Systems-Based Approach to Collective Form
Jesse Martyn, University of British Columbia
Abstract
Fumihiko Maki’s 1964 Investigations in Collective Form is adapted to act as the guiding framework for this project. Maki’s writing suggests, “Our concern here is not, then, a “master plan,” but a “master program,” since the latter term includes a time dimension. As a physical correlate of the master program, there are “master forms” which differ from buildings in that they, too, respond to the dictates of time. Collective form represents groups of buildings and quasi-buildings—the segment of our cities. Collective form is, however, not a collection of unrelated, separate buildings, but of buildings that have reasons to be together.” Maki’s three major approaches to collective form—compositional form, mega form, and group form—are used as the fundamental base layer for this project.
This project seeks to envision how the city can develop through a responsive urbanism shaped by the industries that stimulate the local and global economy. Urban society is “a dynamic field of interrelated forces,” and as such, this proposal positions the architect as a mediator. It proposes approaches not as fixed solutions, but as possibilities for how a place can evolve in response to shifting geopolitical and socioeconomic values. This project suggests ways in which an urbanism can develop and adapt to support these shifts, highlighting the need for the designer to consider cycles and transformations. Post-war carbon economies can transition towards renewable resource economies as a catalyst for diversification and the growth of Prince Rupert as a collective city.
Our relationship with natural resources, industry, the economy, and the environment are complex and constantly in a state of contradiction. This relationship is explored through an understanding of the city as a collective form. Positioning industry as a generator, a systems-based approach to collective form imagines an urbanism through the lens of a form, a strategy, and a program. This project forecasts the future generative potential of industries stimulating the North American resource economy, while allowing these industries to productively shape the built environment and the exchanges that occur within it.
Washington University, 1964.
11:30 – 12:30 EST /
17:30 – 18:30 CET
Special Focus Session
1 HSW Credit
PROFESSIONAL PRACTICE & GREEN RECONSTRUCTION
Moderator: Jacob Moore, Columbia University
Speakers:
Rebecca Berry, Massachusetts Institute of Technology
Robert Mohr, Massachusetts Institute of Technology
Carisima Koenig, Pratt Institute
Kwesi Daniels, Tuskegee University
Megan Groth, Woodbury University
Green Reconstruction, Buell Center
Session Description
The teaching of “Professional Practice” has been standard in US graduate architecture programs for decades. In the National Architectural Accrediting Board’s most recent update to their “Conditions for Accreditation,” professional practice is defined as “professional ethics, the regulatory requirements, the fundamental business processes relevant to architecture practice in the United States, and the forces influencing change in these subjects.”
The promise of professional expertise under what the panel’s organizing institution, the Temple Hoyne Buell Center for the Study of American Architecture at Columbia University, is calling “Green Reconstruction” is a double-edged sword for which new pedagogical models are necessary. How might architects’ roles as community and client advocates be taught in a context of ever-more competitive and specialized professional market shares of ‘service provision?’ Where in the technical, aesthetic, and fiscal chain of architectural operations between the mouse and the jobsite does ethical, professional responsibility lie? Who should be held accountable in the profession for the very composition of the profession, considering glaring racialized, gendered, and economic disparities (among others), and how might that accountability be designed and sustained? What counts as “best” business practice in an economy and profession where wealth’s default flows are more-and-more from those who need it most toward those who need it least? And for all of these—who decides? In this special session, faculty members and organizers from institutions where shifts in professional practice curricula are underway will share their motivations, methods, and challenges when addressing these and other questions before opening the conversation up to all attendees.
30-minute
Discussion Break
13:00 – 14:00 EST /
19:00 – 20:00 CET
Research Session
1 HSW Credit
Environmental History Theory: Addressing Environmental Technology
Moderator: Moa Carlsson, University of Edinburgh
Post-Conflict Archives: Representations of Fight or Flight
Jumanah Abbas, Columbia University
Abstract
In 1521, the Italian Renaissance diplomat and writer Niccolò Machiavelli wrote a treaty on the art of war that was accompanied with a series of diagrammatic figures depicting an analytical placement of troops, soldiers and bunkers. The acclaimed father of modern political philosophy and political science showcased the logistics of military planning as well as the erasure of bodies, space and technology. This representational illustration is arguably no different from the other drawings produced in preparation for war and military occupation, revealing a planar understanding of the city as a functional diagram to be controlled at times of destruction. Across disparate spaces of occupation, strategies for attack, defense and retaliation are preplanned and drawn on top of aerial plans of urban cities. These drawing reduced bodies to numerical figures and politicized spaces to abstract lines. Positions of attack become the main features of these urban spaces; arrows, lines, military strategies are the political schemes for launching assault, occupying indigenous lands and ensuring long-term occupation. However, the histories of the city’s representation were mainly centered on the administrative and religious center of the Polis, highlighting the inherent militarization of an urban space as the global condition. This modernist epistemology addresses a systematic relationship between the physical infrastructure and the notions of citizenship and democracy, which overshadows alternative, and critical, views about the entanglement of the urban warfare with questions of spatial politics, violence and injustice. In addition, these politicized representation flatten these complex relations, instead of gendering new methodologies, inquiries, archives and engage with the way the architecture discipline is defined and challenged. Hence, the central question here is how to shift the study of these histories of representation to include these new domains and narratives? In the form of visual essay, the presentation will recapitulate a series of drawings of planned strategies, modes of fight or flight, and ruins from across geographies and time and will examine the production of knowledge about representations of urban warfare. The proposal reframes these drawings as an urgent reminder to rethink the agency of knowledge about the tools of representations that sit at the cross intersection of urban warfare, visual studies and architecture theory.
Andrew Herscher, “The Right Place: A Supplement on the Architecture of Humanitarian War,” in Violence Taking Place: The Architecture of the Kosovo Conflict(Stanford: Stanford University Press, 2010), 99-120, plus notes.
Eyal Weizmanand Philipp Misselwitz, “Military Operations as Urban Planning,” in Cities without Citizens, ed. Eduardo Cadava and Aaron Levy (Philadelphia: Slought Books, 2004), 167-200.(alsoin Territories, 272-281.)
Steven Graham, “Lessons in Urbicide,” New Left Review19 (January/February 2003): 63-78.
Tom Vanderbilt, “Survival City: This is Only a Test,” in Survival City: Adventures Among the Ruins of Atomic America(New York: Princeton Architectural Press, 2002): 69-95.
Unlearning Architecture: Environmental History of Production Spaces From Mill Buildings to Machinic Landscapes
Esin Komez Daglioglu & Ilayda Guler, Middle East Technical University
Abstract
The Industrial Revolution, initiated with the redesign of steam engine by James Watt in 1764 and utilised as motive power in 1785, transformed the existing industries from the level of craftsmanship to mechanisation.(Friedrich Engels 1886, 54) Industry as a means of production, employment of labour, and fundamentally source of elevation for energy has influenced many discourses. Environmental history and theory, by internalizing these multiple discourses, enable to associate architecture with histories of energy, production, labour, and infrastructure. Production spaces, more specifically factories – the nodal points of engineering, social theory, architecture, and technology – solidify the accumulation of knowledge from each contributory discipline and reflect every concern on the architectural plan. Therefore, this study aims to examine the transformation of the architecture of the production spaces with regard to the multiple histories of industrialization and its relation to energy, production and labour and their corollary effects on climate.
In the process of advancing industries, be acquainted of new materials and techniques, there arose the necessity of assembling all machines under the same roof, in a factory. Therefrom, nineteenth century mill building typology started to appear.(Image1) Long, narrow, multi-storey artefacts either built by masonry, wood, or brick that constructed with the limited technologies of the century, and illuminated mostly by natural light laid the foundation for architectural narratives of mill buildings.(Lindy Biggs 1996, 18-20) From a central power source either water or steam, and configuration of gears, shafts and belts for power distribution in the nineteenth century; industry converted to electrical lighting and drive with the twentieth century. (Warren D. Devine, Jr. 1983, 350-4) Electrification, as the determinative of second industrial revolution, extended labour with the electrical lighting and heating, and permitted to rearrange the layout of operations.(Tilo Amhoff 2016, 259) Following mill buildings, factories of the twentieth century, referred as daylight factories, were concretised with the invisibility of electrification and an agent of mass production, assembly line.(Image2-3) Daylight factories followed the ‘typical plan’ in the interior arrangement to accommodate improved working conditions, healthy environment, and open space for mass production ideals.(Francesco Marullo 2014, 108-14) (Image4) Thence, the more escalation of production volumes, the more construction of production spaces.(David E. Nye 1997, 205-10) Based on the direct proportional relationship between industry and construction, architecture of production spaces resumed to evolve in regard of floor plan, materials, layout organisation, energy transmission, and ratio between workers and machineries. Today, in the current industrial condition of machine landscapes, fully automated industrial territories have been built up without the existence of labour force.(Liam Young 2019, 8-11) (Image5)
In brief, analysing the spatial formation and transformation of the production spaces with an emphasis on environmental history can uncover the intricate relations between architecture, energy, production and labour and their resultant impact on climate. As a consequence, this paper will underline the relevance and significance of including these themes, histories and building types at the architectural curriculum today for addressing the exigencies of the climate change.
Amhoff, Tilo. “The Electrification of the Factory: Or the Flexible Layout of Work(s).” In Industries of Architecture, edited by Katie Lloyd Thomas, Tilo Amhoff and Nick Beech, 259-70. London: Routledge, 2016.
Biggs, Lindy. The Rational Factory: Architecture, Technology, and Work in America’s Age of Mass Production. London: The John Hopkins University Press, 1996.
Devine, Jr., Warren D. “From Shafts to Wires: Historical Perspective on Electrification.” The Journal of Economic History 43, no.2 (June 1983): 347-72.
Engels, Friedrich. The Condition of the Working Class in England. New York: Penguin Books, 1886.
Marullo, Francesco. “Typical Plan: The Architecture of Labor and the Space of Production”. PhD diss., The City as a Project, The Berlage Institute and TUDelft, 2014.
Nye, David E. Electrifying America: Social Meanings of a New Technology. Cambridge, Massachusetts: The MIT Press, 1997. First edition in 1992.
Young, Liam. “Neo-Machine: Architecture Without People.” Architectural Design 89, 1 (January/February 2019): 6–13.
13:00 – 14:00 EST /
19:00 – 20:00 CET
Research Session
1 HSW Credit
21ST CENTURY CHARTER FOR HEALTH + JUSTICE
Moderator: Leonel Ponce, Pratt Institute
Designing for the Most Vulnerable: How Empathy Makes a Better City for Everyonw
Michelle Laboy, Northeastern University
Abstract
How would architects design the city if it was only designed for the most vulnerable of us? This seemingly obvious question proved a fertile ground for questioning the most fundamental assumptions about the design process. By thinking deeply and broadly about one specific but large vulnerable group, children, this course revealed the power of a complete change in perspective in inspiring deep empathy in design. As Juliet Kinchin, curator at MoMA said, “We have been periodically reminded how the forces of modernity shape design and childhood in ways that are extraordinary and exhilarating yet also complex and contradictory.” (2012) In a time of social unrest and ecological degradation, children are disproportionately impacted by every crisis in this world, and yet they are seldomly the subject of architectural research or education, unless it involves building typologies specific for them. Their existence in design is typically limited to schools, daycare, and playgrounds – the spaces where they are segregated into. What if instead of making special accommodations or spaces for children, we designed the entire city for them? This graduate research studio started with the premise that designing the city for children would make the best environment for everyone. Students had to examine a simple question: what is the ideal experience for the child in the city? This is a question designers rarely ask when designing urban spaces and buildings. Yet there is ample evidence that an immersive experience in natural landscapes is important for the cognitive, physical and emotional development of the child. Because this idea seems potentially at odds with the benefits of dense and compact urban development, and the patterns of extreme urbanization, this raised a question that is often asked for very different reasons: how to integrate “natural” experiences in everyday life beyond the traditional and centralized park space. The liberating paradox is that the most significant and historically consequential natural spaces in urban environments are completely constructed, so why not invent a entirely new urban landscape from the perspective of the child? If for the child, learning happens everywhere, what planning principles and design strategies could guide the design of everyday spaces for mobility, dwelling, working, and leisure? Students engaged with these critical questions during the research phase. They examined pedagogical concepts and metaphors for play and environment-based learning. They reviewed evidenced-based principles from child development sciences. Through site visits, interviews with experts, and field work, students developed a framework of themes representing the biggest challenges in design today: from health to risk aversion to resilience. This served as a point of departure for engaging in individual design investigations that explored the potential for a new constructed urban landscape for childhood in contemporary cities. The projects were unexpected in range and scale: from new street design guidelines to hybrids of infrastructure and school, to coastal resilience planning.
A Seat at the Table: Examining the Designer’s Role in Health Equity Through Addressing the Social Determinants of Health
Kendra Kirchmer, Kansas State University
Marin Gillis, Roseman University of Health Science
Abstract
The global pandemic reveals the imperative for designers to collaborate with health professionals. Designers can and must understand the role the built environment plays in health outcomes for individuals and populations; and design educators can and must develop the knowledge and skills needed to position nascent design professionals to become leaders who advance systemic change towards health equity, which is helping all people have a fair and just opportunity to be as healthy as possible. (Braveman et al., 2017)
Designers already contribute to health outcomes through the design of hospitals and medical devices, however, if we consider that health is influenced by the places that one lives, works, and plays, the role of the designer in health is much more expansive. Health is not just about treatment of disease and illness. A range of factors, like access to education, employment, and healthy food, housing, and social cohesion, collectively known as the Social Determinants of Health (SDoH), play a significant role. (Daniel et al., 2018) Housing, workplaces, bus stops and corner stores, for example, are therefore parts of healthcare design. If equity is the goal of the designer and design professions broadly, then the necessary role of the designer in advancing health equity becomes obvious.
Transdisciplinary collaborations between health and design professionals and educators in each domain must not only be advanced but prioritized to effectively address the complexities of health equity, the built environment, and the SDoH. For designers, this means that the territory of design in health must be broadened to include spaces and places not commonly thought of as healthcare design; and design educators must teach students to articulate the ethical ramifications of their designs and understand their agency as designers. Design decisions shape health. Consequently, design educators must prepare their students to marshal the power of design to advocate and realize systemic change, by improving health outcomes and ultimately creating an equitable and just 21st century built environment.
As an initial response to this emerging opportunity, we introduced a novel course open to students across design disciplines, Vital Design. Students created a proposal for a transdisciplinary intervention and evaluate intersections of the built environment and the SDoH, identify challenges faced by individuals and populations within the context of impacts of the BE/SDoH on health outcomes, define an opportunity to improve those outcomes, and propose a collaborative intervention. Student work was assessed by a panel of health, medical, ethics and design professionals.
This course and additional transdisciplinary education pilots between 2017-2020 at the College of Architecture Planning and Design at KSU, Manhattan, KS and the Florida International University College of Medicine in Miami, forms the foundation of transdisciplinary design and health curricula. We will present a pedagogy supported by the outcomes of these educational interventions. Such serves as a transferable model for a transdisciplinary approach to teaching the SDoH in design and medical education, with the goal of promoting broader public health, empowering design and medical professionals to work collaboratively towards a just and equitable built environment.
Braveman, P., Arkin, E., Orleans, T., Proctor, D., & Plough, A. (2017). What Is Health Equity? And What Difference Does a Definition Make? [Report]. Robert Wood Johnson Foundation
Daniel, H., Bornstein, S., & Kane, C. (2018). Addressing Social Determinants to Improve Patient Care and Promote Health Equity: An American College of Physicians Position Paper. Annals of Internal Medicine, 168 (8), 577-578. https://doi:10.7326/M17-2441
Students as Agents in Moving Towards Just Environments
Ann Heylighen, KU Leuven
Abstract
Aging, migration, and changes in how disability is understood challenge architects/designers to consider human differences so as to meet the needs of the widest possible audience – the purpose of inclusive design approaches. Originally focused on age and ability, more recently these approaches evolved towards a wider understanding of diversity (e.g., gender, sexuality, socio-cultural differences), with a broader relevance for healthcare and workplace design.
Paradoxically, however, taking this diversity seriously may severely restrict ‘the widest possible audience’: human differences are too wide to be taken into account in all their varieties. While COVID-19 puts extreme pressure on the carrying capacity of resources, also in conditions of moderate scarcity it is reasonable to expect that trade-offs must be made. How then can building design be just if it is impossible to meet the needs of all?
In search for mechanisms that promote inclusive pedagogies for the 21st century, we explore how to position students with different kinds of experience and expertise as agents in a broader movement towards inclusive, healthy and just built environments.
Twelve years ago we started a field experiment to explore how human diversity could be mobilized to inform campus design. Architectural engineering students were teamed up with user/experts – students, staff or visitors on the autism spectrum or having a sensory or mobility impairment. Teams visited and analyzed a university building that would undergo works in the near future. Visits were documented, and insights gained presented to and discussed with architects/built environment professionals and other actors involved.
Meanwhile the field experiment developed into an approach that aligns with participatory action research (PAR). Through dynamic cycles of planning, action and reflection, PAR seeks to advance knowledge of those involved in the inquiry, which leads to actions. Reflection on these actions in turn leads to new understandings and opens up new areas of inquiry. In outlining this continuous interaction between practice and theory in how the field experiment developed, we rely on students’ analysis reports of building visits, notes taken during presentations and discussions, and formal and informal interactions with and feedback from various actors involved.
In terms of theory, the original focus on starting points of and concepts related to inclusive design was gradually complemented with conceptions and theories of justice and deliberation. The latter help to make sense of experiences gained in practice, both during building visits – experiences with how the built environment can dis/enable, and the power and limits of empathy – and during presentations/discussions – experiences with the impossibility to literally design for all, and moderate scarcity of resources. Other developments include seeking socially innovative ways to acknowledge and reward the valuable skills user/experts bring to the table, and widening the radius of action beyond the university campus by analyzing buildings owned by others, allowing to involve/include more stakeholders in the movement.
Possible further developments include finding ways to involve user/experts more actively in planning and reflection without forcing them to leave their comfort zone, and assessing the long term effects of the approach.
Clarkson, P. J., & Coleman, R. (2015). History of inclusive design in the UK. Applied Ergonomics, 46(Part B), 235-247.
Keates, S. (2015). Design for the value of inclusiveness. In J. Van den Hoven, P. E. Vermaas, & I. van de Poel (Eds.), Handbook of Ethics, Values and Technological Design (pp. 383-402). , Dordrecht: Springer.
Moulaert, F., MacCallum, D., & Hillier, J. (2013). Social innovation: Intuition, precept, concept, theory and practice. In F. Moulaert, D. MacCallum, A. Mehmood, & A. Hamdouch (Eds.), The international handbook on social innovation. Collective action, social learning and transdisciplinary research (Chapter 1, pp. 13–24). Cheltenham: Edward Elgar.
Rawls, J. (1985). Justice as fairness. Philosophy & Public Affairs, 14(3), 223-251.
13:00 – 14:00 EST /
19:00 – 20:00 CET
Research Session
1 HSW Credit
MONSTROUS Infrastructure – ADAPTABLE BUILDINGS
Moderator: David Erdman, Pratt Institute
Future Nostalgia: Breeds, Deeds, and Otherworldly Ruins
Rana Abudayyeh, University of Tennessee-Knoxville
Abstract
An accelerated rate of development has left our landscapes cluttered with remnants and fragments of our built environments. These traces of our use sit idle in often contested conditions with a dramatic impact on climate. Together, building and construction are responsible for 39% of all carbon emissions globally, with operational emissions accounting for 28%, and 11% associated with materials and construction.1 These realities raise the question: do we need to build new? The reactivation of dormant existing structures was the main focus of an interdisciplinary vertical design studio that included third-year Architecture and fourth-year Interior Architecture students. The studio addressed the synthesis and propagation of new strategies to revitalize decommissioned parts of our built environment generating speculative narratives for future cities in partnership with one of the world-leading design practices. This collaboration demarked a unique overlap between pedagogy and practice, bringing real-world climate issues into academia for collaborative problem-solving.
This partnership emerged from the design firm’s involvement in the shaping of existing and future cities. The firm is actively leveraging mobility through design to create multimodal, vibrant settings. Throughout the semester, students interacted with designers from the firm to explore multimodal thinking, climate sensitivity, and the transformative impact of adaptive reuse in the urban environment. The partnership encouraged human-centric design sensibilities, cognizant that human experience is ultimately at the center of any design problem. Together, students and professionals pursued design solutions capable of adapting to a changing world, formulating robust narratives for future settings.
Future cities rely on communal networks and shared platforms, asserting a more collective societal presence. This shift necessitates new multifunctional urban centers. As such, this collaborative studio engaged the design of multimodal transportation hubs grafted in the context of four inactive building types. The building typologies were the indoor mall, the office building, the parking structure, and the abandoned cultural icon. The selected buildings were situated in different cities. Each combination (city and building type) offered distinct challenges and opportunities for intervention within the urban fabric. Collectively, the four locations informed an agenda for resilient future cities, actively responding to the pressing realities of climate change while catering to shifting socio-economic parameters.
Within the push and pull that our new realities induce, a resetting of design processes must occur. As cities continue to navigate the complex terrain of climate change, global markets, generational shifts, and population displacement, a collaborative approach to architecture and its pedagogy is imperative. It is prudent to assume that this decade will witness hyper-political and environmental changes, world conflicts and crises, and global market and policy shifts, among other factors. Here therein, the designer’s role must undergo yet another evolution, one where mitigating, negotiating, and accommodating constant flux outweigh spatial demarcation and management. While such redirection will undoubtedly usher a shift in architectural pedagogy and practice, it will deliver a more significant impact and advance progressive agendas geared towards resilient futures.
Proto-Ecological Pedagogies in Design Education. Urban Reuse at the Laboratory of Architecture & Urban Design
Elke Couchez, Hasselt University
Abstract
In the last two decades, new educational laboratories and specialized MA and BA training programs have addressed ecological and environmental challenges by formulating ‘society-and citizen-driven’ design-responses for the revitalization, redevelopment and adaptive reuse of the built environment. These design approaches are being verified on a range of scales going from the individual building to the city and the territory and these often-experiential teaching programs pivot around the following learning objectives: a) to develop new didactic strategies and tools to formulate economically viable and sustainable design solutions that counteract the rampant demolition of buildings and urban structures, b) to consider how these strategies and tools can enable a deeper understanding of tangible and intangible values of the built environment, and c) to improve the social resilience of cities – or the way the urban form can adapt to new conditions – through focused design efforts. (Banerjee and Loukaitou-Sideris 2011, 586; Clarke, Kuipers, and Stroux 2019, 1)
This paper takes a historical approach to identify these so-called ‘wicked problems’ (W.J. Rittel and M. Webber 1973; Cabrera i Fausto 2014; Banerjee and Loukaitou-Sideris 2011, 585) and will do so by focusing on a well-documented, yet under-exposed itinerant and international educational platform: the International Laboratory of Architecture & Urban Design (hereafter abbreviated as ILAUD). ILAUD was a non-profit association established by the architect and planner Giancarlo de Carlo (1919-2005) in 1976. From 1976 till 2005, De Carlo invited Western research and educational institutions – who delegated one or two staff members and five to six students – to participate in a highly-ambitious eight-week residential summer course organised in-situ in an Italian city. De Carlo’s educational platform evolved within the post-war discourse on the historic European city and the region (Elke Couchez 2020a) and developed pedagogical strategies and tools for urban regeneration and the reuse of existing buildings, based on a thorough understanding or ‘reading’ of the marks left by social, historical and topographical transformations on the physical space.
By contrasting the studio briefs of the first five ‘Urbino years’ to a series of highly illustrative student drawings and based on new archival research, this paper argues that ILAUD sought an intellectual relief between the social sciences and design studies and combined insights from landscape, architecture, conservation studies and city planning. I will not try to resolve these “exogenous disciplinary influences” (Verma 2011), but rather take this interstitial legitimacy as a lens to engage with the notion of disciplinarity. Was this initiative part of what late Michael Sorkin described as “a bid to recover the lost influence of architecture – erstwhile mother of the arts – from its dissolution in an urban field dominated by planners”? (Sorkin 2012, 620) And to what extent did ILAUD reap the rewards of the rise of educational programs in the late ‘50s and ‘60s that replaced physical planning traditions with paradigms derived from environmental psychology and behaviour and came under the headings of ‘Civic Design’, ‘City Design’, ‘Environmental Design’?
Cabrera i Fausto, Ivan. 2014. ‘Confronting Wicked Problems: Adapting Architectural Education to the New Situation in Europe’. Erasmus + Project.
Clarke, Nicholas, Marieke Kuipers, and Sara Stroux. 2019. ‘Embedding Built Heritage Values in Architectural Design Education’. International Journal of Technology and Design Education, August.
Couchez, Elke. 2020. ‘Reading the City by Drawing. Tentative Design as an Educational Tool for Urban Regeneration in the 1977 ILAUD Summer Course’. OASE 107 – The Drawing in Landscape Design and Urbanism, In press.
Sorkin, Michael. 2012. ‘The End(s) of Urban Design’. In The Urban Design Reader, edited by Michael Larice and Elizabeth MacDonald, 2nd ed. New York: Taylor & Francis Group.
Verma, Niraj. 2011. ‘Urban Design – An Incompletely Theorized Project’. In Companion to Urban Design, edited by Banerjee Tridib and Anastasia Loukaitou-Sideris, 57–69. Taylor & Francis Group.
W.J. Rittel, Horst, and Melvin M. Webber. 1973. ‘Dilemmas in a General Theory of Planning’. Policy Sciences4: 155–69.
13:00 – 14:00 EST /
19:00 – 20:00 CET
Special Focus Session
1 HSW Credit
21st Century Frameworks for Architectural Materials
Moderator: Mae-Ling Lokko, Rensselaer Polytechnic Institute
Presenters:
Jeana Ripple, University of Virginia
Alexandra Rempel, University of Oregon
Lola Ben Alan, Columbia University
Naomi Keena, McGill University
Session Description
As much as “architectural materials” have localized, insidious impacts on indoor human health and well-being, they also drive larger scale impacts on our society, ecology and climate. Such materials cannot be divorced from their role as part of a larger public health infrastructure and powerful platform in reinforcing ecological health, equity and social justice.
The panel discussion hopes to explore/discuss three primary questions:
1. What framework(s) for linking the ‘architectural material’ to larger scale phenomena (economic, social, environmental, energetic, etc) have emerged in your work?
2. How have you invented/innovated unique teaching pedagogies and/or research methodologies to foster students understanding, evaluation and design of architectural materials?
3. What new enterprises* for architectural material sourcing, manufacturing, and maintenance over time have or will emerge from such frameworks?
* Enterprise is an umbrella for convergent disciplinary collaboration, external partnerships, new green collar industry, etc.
30-minute
Discussion Break
14:30 – 16:00 EST /
20:30 – 22:00 CET
Plenary
1.5 HSW Credit
Curriculum for Climate Action
We, as cross continental educators, must collectively address our global emergency as well as the opportunity to circumvent architectures’ role in perpetuating it. These pedagogies require deconstruction of architecture’s master narratives as much as a ground‐up envisioning of its future. In order to change the course of architecture’s curricula, we must re‐assemble our core values by asking critical questions concerning our future contributions to our climate.
Introductions: Harriet Harriss
Pratt Institute
Bio
Harriet Harriss
Pratt Institute, Dean of the School of Architecture
Dr. Harriet Harriss (RIBA, ARB, Assoc. AIA, Ph.D., PFHEA, FRSA) is a qualified architect and Dean of the Pratt School of Architecture in Brooklyn, New York. Prior to this, she led the Architecture Research Programs at the Royal College of Art in London. Her teaching, research, and writing focus upon pioneering new pedagogic models for design education, and for widening participation in architecture to ensure it remains as diverse as the society it seeks to serve. Dean Harriss has won various awards including a Brookes Teaching Fellowship, a Higher Education Academy Internationalisation Award, a Churchill Fellowship, two Santander Fellowships, two Diawa awards, and a NESTA (National Endowment for Science Technology and Art) Pioneer Award. Dean Harriss was awarded a Clore Fellowship for cultural leadership (2016-17) and elected to the European Association of Architectural Education Council in summer 2017. Dean Harriss’ public consultancy roles include writing national construction curriculum for the UK government’s Department for Education and international program validations and pedagogy design and development internationally. Across both academe and industry, Dean Harriss has spoken across a range of media channels (from the BBC to TEDx) on the wider issues facing the built environment, is a recognized advocate for design education and was nominated by Dezeen as a champion for women in architecture and design in 2019.
Moderator: Rania Ghosn
Massachusetts Institute of Technology
Bio
Rania Ghosn
Associate Professor of Architecture and Urbanism, Massachusetts Institute of Technology
Principal, DESIGN EARTH
Rania Ghosn associate professor of architecture and urbanism at MIT and is founding partner of DESIGN EARTH with El Hadi Jazairy. Their practice deploys the speculative architectural project to make public the climate crisis. The work of Design Earth has been exhibited internationally at venues such as the Venice Architecture Biennale, Matadero Madrid, SFMOMA, MAAT Lisbon, Triennale di Milano, Guangdong Times Museum, Oslo Architecture Triennale, Seoul Biennale of Architecture and Urbanism; and is in the permanent collection of the Museum of Modern Art in New York. Design Earth is recipient of the Architectural League Prize for Young Architects + Designers, ACSA Faculty Design Awards, Boghossian Foundation Prize, and other honors. Ghosn is editor of New Geographies 2: Landscapes of Energy (2009) and co-author of Geographies of Trash (2015), Geostories: Another Architecture for the Environment (2nd ed. 2020) and The Planet After Geoengineering (forthcoming). She holds a Bachelor of Architecture from American University of Beirut, a Master of Geography from University College London, and a Doctor of Design from the Harvard Graduate School of Design.
Kiel Moe
McGill University
Bio
Kiel Moe
McGill University
Kiel Moe is a practicing architect and the Gerald Sheff Professor in Architecture at McGill University. In recognition of his design and research endeavors, he was awarded a Fulbright Distinguished Chair in Helsinki; the Gorham P. Stevens Rome Prize in Architecture at the American Academy in Rome, and the Architecture League of New York Prize.
Albena Yaneva
University of Manchester, UK
Bio
Albena Yaneva
Professor of Architectural Theory, University of Manchester
Head of MARG, Manchester Urban Institute
Albena Yaneva is Professor of Architectural Theory and director of the Manchester Architecture Research Group (MARG) at the Manchester Urban Institute. She has been Visiting Professor at Princeton School of Architecture and Parsons, New School. She held the prestigious Lise Meitner Visiting Chair in Architecture at the University of Lund, Sweden (2017-2019). She is the author of several books: The Making of a Building (2009), Made by the OMA: An Ethnography of Design (2009), Mapping Controversies in Architecture (2012), Five Ways to Make Architecture Political. An Introduction to the Politics of Design Practice (2017), Crafting History: Archiving and the Quest for Architectural Legacy (2020), The New Architecture of Science: Learning from Graphene (2020), co-authored with Sir Kostya S. Novoselov, and Bruno Latour for Architects (Routledge 2021). Her work has been translated into German, Italian, Spanish, French, Portuguese, Thai, Polish, Turkish and Japanese. Yaneva is the recipient of the RIBA President’s award for outstanding research (2010).
Michelle Sturges
Conferences Manager
202-785-2324
msturges@acsa-arch.org
Eric W. Ellis
Senior Director of Operations and Programs
202-785-2324
eellis@acsa-arch.org