Pennsylvania State University

UNIVERSTY PARK, Pa. — Penn State is hosting a virtual symposium Sept. 23-24 that will explore how architects and designers in related disciplines can gain a better understanding of the impact the built environment has on shaping society’s inequalities, how the decisions they make as design professionals have consequences, and how they can help bring about better social equity in an increasingly polarizing world.

With a theme of “Design Consequences: Taking responsibility for our ideas,” this Stuckeman Research Symposium is being organized by Alexandra Staub, professor of architecture and an affiliate member of the Rock Ethics Institute at Penn State.

Staub received a Racial Justice, Anti-Discrimination and Democratic Practices Grant from the College of Arts and Architecture for the event. Additional funding has been provided by the Harold K. Schilling Memorial Lecture on Science, Technology, and Society endowment of the Rock Ethics Institute; Stuckeman School; Department of Architecture; Stuckeman Center for Design Computing; and the Hamer Center for Community Design.

The symposium is being held in conjunction with the Stuckeman Research Open House, which will highlight the work that has been done within the school’s research centers and units over the past academic year.

“Starting with their formal education, architects and designers in related disciplines are trained to seek solutions to problems that are largely defined through the values and demands of their clients. The needs of additional stakeholders – especially members of marginalized communities – are typically not considered during the design process,” explains Staub. “Because our built environment is a powerful reflection of our culture while also shaping how we live, we need to address how we design and build if we wish to create environments that serve all members of a community, rather than simply those whose financial means put them at an advantage.”

Staub concluded by adding: “Designers are powerful thinkers. We need to tap into that potential to help promote social equity.”

The event, which is being produced and recorded by WPSU, will feature a series of lectures in which speakers will discuss their work and thinking on topics of social equity. This will be followed by roundtable discussions in which the speakers address methods that can bring social equity thinking into the classroom as well as professional practice of design.

Symposium speakers include:

  • Antwi Akom, professor and founding director of the Social Innovation and Urban Opportunity Lab — a joint research lab between the University of California, San Francisco and San Francisco State University that focuses on combining culturally- and community-responsive design with new digital technologies in order to increase racial and spatial justice and improve health equity.
  • Catherine D’Ignazio, assistant professor of urban science and planning in the Department of Urban Studies and Planning at MIT and Director of the Data + Feminism Lab.
  • Rayne Laborde, associate director of cityLAB UCLA, a design research center concentrated on urban spatial justice.
  • Andrea M. Matwyshyn, associate dean for innovation and technology, professor of law and engineering policy, and founding director of the PILOT Lab, a policy think-tank at Penn State.
  • Lily Song, assistant professor of race and social justice in the built environment at Northeastern University, whose work focuses on infrastructure-based mobilizations and experiments that center the experiences and insights of frontline communities.
  • Ife Salema Vanable, founder and leader of i/van/able, a Bronx-based architectural workshop and think tank, visiting professor at the Irwin S. Chanin School of Architecture of the Cooper Union, visiting scholar at the Yale School of Architecture and doctoral candidate in architectural history and theory at Columbia University’s Graduate School of Architecture, Planning, and Preservation.

This event is free and open to the public, and registration is not required. To learn more, and for the link to join the symposium, visit the symposium website.

University of Nebraska-Lincoln

 

MSID Ranked First Place by BestValueSchools

In first place, the College of Architecture’s Master of Science in Architecture with specialization in Interior Design (MSID) program is named among the Nine Best Online Master’s in Interior Design Degree Programs by BestValueSchools.org.

The 36-credit hour MSID program was a pioneer in online graduate interior design education and has over 15 years of experience in offering an online advanced degree. It is the college’s most decorated program, earning four top ranking degree accolades in the past three years. Last year, the program was honored with Best Master’s Degree by Intelligent.com. In 2019, MSID earned OnlineMasters’ Top 5 Best Online Master’s in Interior Design Programs with a special distinction for Best Faculty and Value College listed the program among the Top 25 Online Interior Design Programs with a ranking of ninth.

“At BestValueSchools.org, we understand the difficulties prospective students face in choosing where to go to school,” said Cassie Williams, communications specialist for BestValueSchools.org. “Because of that, we’ve researched thousands of colleges and universities to find the very best schools that meet the most important needs of prospective students for the best possible price. Universities and colleges that are part of our rankings meet our criteria for the best value education – great programs at a great price.”

According to BestValueSchools.org, the nine Online Master’s in Interior Design programs on their list have been evaluated and selected to represent a comprehensive cross-section of the available Online Master’s in Interior Design programs offered by public and private institutions of higher education.

“The flexibility of our online program affords students, from anywhere in the world, the opportunity to work with award-winning faculty to align their interests for a rewarding and meaningful graduate experience,” said Interior Design Program Director Lindsey Bahe. “This recognition speaks to the dedication of our faculty to foster and mentor our students in their pursuit of an advanced degree through academic design research that will enhance their skillset and knowledge to be forward thinking designers.”

Dunwoody College of Technology

Dunwoody College of Technology, a private, non-profit institution and pioneer in technical education, today announced the launch of its first School of Design. Uniquely structured to provide students with a combination of technical expertise and creative practice, the new school is a combination of Dunwoody’s sought-after design-focused programs – architecture, interior design and graphic design.

Dunwoody’s design education focuses on strong technical skills with an understanding of industry best practices in order to maximize each student’s creativity. Coursework is project-based, with a focus on the entire creative process, from research and ideation through final production. Students learn how to work with clients in order to achieve the best innovative solution within a given budget and goals for each project. The faculty has decades of experience as working professionals, giving students the opportunity to learn sought-after skills from people who know first-hand what it’s like in the industry.

“Our students are creators, makers, designers, and doers, and Dunwoody has a long history of excelling in design-forward programs,” said Rich Wagner, President of Dunwoody College of Technology. “As we looked to the future, we knew the time was right to embrace that legacy and bring together our key design programs to create the new School of Design. Combined, these programs will produce collaborators and problem solvers; graduates who are prepared to make a lasting contribution in the design fields and our built environment.”

To lead the new school, Trevor Bullen, AIA, is stepping into the role of academic dean for the School of Design, effective immediately. Bullen brings more than 25 years of professional experience, having worked on a wide range of architecture including landscape architecture and international planning projects in Europe, the Caribbean and the United States. Most recently, Bullen was a senior associate and director of operations at Snow Kreilich Architects, which received the 2018 AIA Architecture Firm Award. From 2000 to 2016, Bullen led an award-winning architecture and planning studio on the island of Grenada, completing more than 30 built projects. Bullen has remained active in academia during his time in the industry, teaching architectural design at the Boston Architectural College, the City College of New York, and the University of Minnesota – Twin Cities – as well as being a frequent guest critic at schools of architecture nationwide.

The college’s new Director of Architecture, Maura Rogers, AIA, NCARB, LEED GA will also take an integral role in advancing Dunwoody’s programs. Most recently, Rogers has been working in public services and alternative delivery method design-builds. She brings a wealth of experience to the new role – including an expansive career in the architecture field that has encompassed residential design, technical drafting, urban planning, project management, and public sector projects. At Dunwoody, Rogers will oversee both the two-year Architectural Drafting & Design program, as well as the +3 Bachelor of Architecture degree program.

Korrin Howard will also join the School of Design as the Director of both the Interior Design and Graphic Design programs. For the past 16 years, Howard has applied her experience as a designer and public artist to inspire students in the classroom. In her new role, she will be leading the graphic and interior design programs to help students design spaces that immerse visitors in a sensory experience.

For more information about Dunwoody’s School of Design and how to apply, visit dunwoody.edu/design. Degrees will be offered in architecture, architectural drafting, graphic design and interior design, with exact degree length determined by the needs of each field and professional certification requirements.

ABOUT DUNWOODY

Founded in 1914, Dunwoody College of Technology is the only private, not-for-profit technical college in the Upper Midwest. Having provided hands-on, applied technical education to more than 250,000 men and women, Dunwoody is the college for experimenters and makers, a place where the curious and the confident learn by doing. Located in Minneapolis, Dunwoody offers a unique campus experience in dedicated labs, studios, and shops that treats students like future professionals from day one. With certificates, associate’s, and bachelor’s degrees in more than 46 majors – including engineering, robotics, design and other STEM-related fields – Dunwoody challenges students to come determined and graduate destined. More information on Dunwoody can be found at www.dunwoody.edu or by following Dunwoody on Facebook, Instagram and Twitter.

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Pennsylvania State University

Black Hairstyles Will Inspire Innovative Building Materials in New Research

UNIVERSITY PARK, Pa. — Natural Black hair texture and styling practices – such a braiding, locking, and crocheting – will help inspire and generate novel building materials and architecture structures using computational design processes in new research funded by the prestigious Graham Foundation.

The team of researchers includes Felecia Davis, associate professor of architecture and director of the Computational Textiles Lab (SOFTLAB) in the Stuckeman Center for Design Computing at Penn State, as well as researchers from four other universities.

Titled “Hair Salon: Translating Black Hair Practices for Architecture Using Computational Methods,” the team’s research project draws from the rich culture and history of African Americans to imagine transformative built environments. According to the proposal, “Very little of African material culture survived the transatlantic slave; [however] Black hair textures and styles are one of the most enduring signifiers of Black identity in the United States.”

According to Davis — who is also the principal of FELECIA DAVIS STUDIO — the project developed during weekly conversations she had with Sheryl Tucker de Vazquez, associate professor at the University of Houston and principal of Tucker De Vazquez architecture, during the summer of 2020 about how to translate the ideas of textiles and using textiles for architectural applications. Davis and Tucker de Vazquez — as well as remaining team members Marcella Del Signore, associate professor in the School of Architecture and Design at New York Institute of Technology and principal of X-Topia; and William Williams, Smith Visiting Professor at Rice University School of Architecture and associate professor in the College of Design, Architecture, Art and Planning at the University of Cincinnati — have all been developing architectural and full-scale works using textiles.

“Hair braiding, locking and crocheting are rule-based practices, not unlike the rule-based language of computer algorithms,” said Davis. “Drawings, photographs and video demonstrations from a hair-braiding workshop will be used to translate hair structures and processes into a shape grammar and Rhino Python scripts.”

A shape grammar, she explains, is an accessible visual computational grammar that has been used to preserve traditional making practices and can be used to develop a material or fabric that can create architectural space. Rhino Python programming will then be used to develop hair or textile-based structures in code to 3D print “imaginary liberatory” architectural structures.

One of the numerous contributions of the Hair Salon project is demonstrating the richness of Black cultural practices and engendering conversations about Blackness, identity and architecture.

“We are so pleased that the Graham Foundation is supporting this work, which is not traditional architectural work or scholarship, and creates new territory for architectural design,” said Davis. “We want to generate and expand the conversation about Black culture, its relationship to technology and architectural design and concepts of translation and meaning making.”

Davis said she hopes they can inspire other architects and those interested in Black culture and in the African Diaspora to make their own contributions.

“In this time of re-thinking what architecture can be, we want this work to support other generations of architects who will be — and who already are — remaking the world in which we live,” Davis said.

Documentation of the team’s process will be featured in an exhibition both online and at the Project Row Houses, a development in the Third Ward area of Houston that engages neighbors, artists and enterprises in collective creative action to help materialize sustainable opportunities in marginalized communities.

The Graham Foundation for Advanced Studies in the Fine Arts was founded in 1956 and “fosters the development and exchange of diverse and challenging ideas about architecture and its role in the arts, culture and society.” The foundation realizes this vision through making project-based grants to individuals and organizations that investigate the contemporary condition, expand historical perspectives, or explore the future of architecture and the designed environment, and by producing exhibitions, events and publications.

A full compilation of projects funded by the Graham Foundation this year can be found via grahamfoundation.org/grantees.