RV College of Architecture

Call for Contributions for 4th edition of Annual Magazine “Kalpa”

We at RV College of Architecture are pleased to announce the “call for contributions” of our Annual Magazine Kalpa’s fourth issue – Materiaverse: Exploring Material transformations through skillful renditions of strength,form and texture. Kalpa bears ISSN 2583-696X (online).

We invite artists, designers and architects to contribute their thoughts and insights on the evolving role of materials in art, architecture and design. The details of the topic, formats of submission and registration procedure are elaborated in the brief (link provided below).

The deadline for full articles has extended to 15th August, 2023, exclusively for all members of ACSA.

We encourage the members of your institution to share their unique ideas, creative approaches, and techniques that demonstrate the limitless possibilities of materials in today’s world.

The selected entries will be featured in the upcoming issue. Don’t miss out on this incredible opportunity to showcase your work and inspire the world with your ideas.

For any further queries do not hesitate to contact the team! (details mentioned in the brief)

Link to the brief: https://drive.google.com/file/d/18RoCRZstAx0zc9TqidY5H68TGuHAR9fv/view?usp=drivesdk

Penn State

Architecture professors invited to exhibit work at Venice Architecture Biennale

 

UNIVERSITY PARK, Pa. — Penn State architecture faculty members in the College of Arts and Architecture’s Stuckeman School are among the 89 architects and architectural firms from around the world that were invited to display their work as part of the 18th Venice Architecture Biennale in Italy from May 20 through Nov. 26.

Titled “The Laboratory of the Future,” the exhibition features work from Felecia Davis, associate professor of architecture, and DK Osseo-Asare, assistant professor of architecture and engineering design, in collaboration with Yasmine Abbas, assistant teaching professor of architecture.

This year’s event, which is organized at the Giardini, the Arsenale and Forte Marghera in Venice, focuses on raising awareness on the overall carbon footprint that also encompasses the mobility of the visitors. The exhibition, which has been curated by Lesley Lokko, includes submissions from 89 Participants, over half of whom are from Africa or the African Diaspora. The event is centered on “a commitment to climate action” and seeks to encourage “a more sustainable model for the design, installation and operation of all its events.”

“Textural Threshold Hair Salon: Dreadlock”

Davis’ submission to the exhibition is titled “Textural Threshold Hair Salon: Dreadlock,” and centers around a project she initiated with student researchers as the director of the Computational Textiles Lab (SOFTLAB) in the Stuckeman Center for Design Computing. The “Dreadlock Series” project focuses on art, design and architectural works that have been inspired by Black hair and its unique material properties.

“Entering the gallery space is an enmeshed digital and physical textile threshold that highlights the locking together of physical and electromagnetic spatial boundaries,” explained Davis. “The project is about those spaces that use biodata to permit or restrict access to space.”

The threshold uses machine learning trained on a designed database of global hair textures, called the Figaro 1K Database, by Muhammad Umar Riaz, Michele Svanera and Sergio Benini. Figaro 1K is one of the few publicly available databases about hair that contains examples of African hair texture and hair styles, such as braids and dreadlocks.

“Visitors are invited to sit in the hairdresser’s chair facing a large screen in the center of the space,” said Davis. “They then press a button on the arm of the chair, which triggers a high-resolution webcam to take a photo of the back of their heads. This photograph Is then cropped to 150 pixels x 150 pixels and further cropped to be compared to the ‘cropped’ photos of the hair in the database.”

The top five matches to the visitor’s hair are presented on the screen. No photos or no data are kept from the interaction and all photos are destroyed after 120 seconds. The screen closes with a thank you and lets visitors know their data is destroyed.

“On the other side of the large screen is a cabinet with small physical models and digital screens displaying examples of computational textile materials that are responsive using electromagnetic media or naturally responsive, such as Isocord models made of felted wool or dreadlocked knitted material,” said Davis.

The models and digital drawings in the space were made by Davis along with Delia Dumitrescu at the Swedish School of Textiles, and Daniel Escobar, architectural assistant. Those from Penn State who contributed to the gallery include Ian Danner, an art education student in the School of Visual Arts; Hiranshi Patel, a master of architecture student in the Stuckeman School; and Aysan Jafarzadeh, who recently graduated from Penn State with her master of architecture degree and created the hair database wall graphic in the space that shows some examples from the Figaro 1K hair crop images.

The machine learning algorithms used in the space were created in collaboration with Huijuan Xu, assistant professor in the School of Electrical Engineering and Computer Science at Penn State, and her doctoral student Shu Zhao who designed the machine learning algorithm. Matthew Dembiczak, a computer science undergraduate student, helped construct the interface programming for the project.

Davis’ project was made possible by the Graham Foundation for Advanced Studies in the Fine Arts; the Foundation for Contemporary Art; The Architect’s Newspaper; the College of Arts and Architecture; The College of Arts and Architecture Research and Creative Activity Grant Program in Racial Justice, Anti-Discrimination and Democratic Practices; the Stuckeman School; the Department of Architecture; and the Stuckeman Center for Design Computing.

Davis’ gallery space can be found in the Force Majeure section of the Central Pavilion in the Venice Giardini.

“Enviromolecular”

The work of Osseo-Asare, cofounding principal of Low Design Office, a design practice based in Austin, Texas, and Tema, Ghana, is also featured in the Venice Biennale. The featured project, titled “Enviromolecular,” has evolved from the Agbogbloshie Makerspace Platform (AMP) that Osseo-Asare launched in 2012 in Accra, Ghana, with Abbas as a transnational project to help bolster maker ecosystems in Africa by co-designing the reuse and recycling of materials with students and young professionals.

“AMP amplifies circular processes of (re)making with others as a mode of collective habitation,” said Osseo-Asare, who is the director of the Humanitarian Materials Lab at Penn State. “The open-source design kit builds equity by replacing paradigms of innovation with reparative praxis of renovation for spatial justice across physical and digital realities.”

The resulting work of AMP, and the starting point for Enviromolecular, is the “Fufuzela,” which are mobile, experimental adaptive structures engineered to function at the intersection of architecture and furniture while integrating biology with environmental design and engineering. The Fufuzela systems leverage a novel, bamboo-composite, steel joint mechanism to enable low-cost construction of dynamic modular spaces that allow for a hybrid or “blended” experience of physical and digital realities.

In light of the team’s interest in both material ecology and economy, as well as the curator’s call for the participants of the Biennale to engage themes of decolonization and decarbonization in real terms, Enviromolecular features some of the same components Osseo-Asare developed as the architect of the Ghana Pavilion at the Venice Art Biennale in 2022. These components were initially deployed as exhibition architecture for an international exhibit of contemporary Ghanaian artists at the Dortmunder’s U-Tower in Germany from Dec. 10, 2021 to March 6, 2022.

The installation of Enviromolecular was supported by the Stuckeman Collaborative Research Program and the ANO Institute for Arts and Knowledge. Technical support was provided by the Humanitarian Materials Lab and the Digital Fabrication Lab at Penn State, as well the architectural design and visualization firm HelenHanCreative with assistance from Allie Palmore, who produced a film for the exhibition with Abbas. Kwabena Acheampong led the fabrication team with the AMP Makers Collective in Ghana, while Ashley Heeren and Ryan Bollom were part of the installation team.

“Through my participation in the AMP open-source and collaborative project, I have focused on exploring, through design, what inhabiting a world in movement means for architecture. Inhabiting a world in movement implies a design process that enables participants to connect in a physical, digital and mental manner to the places they live in,” explained Abbas, who is the director of the Immersive Environments Lab in the Stuckeman School. “At the 2023 Venice Biennale, I explore metaphorically the entanglement of bodies and buildings by using the structure of the Fufuzela as a loom.”

Enviromolecular can be found in the Dangerous Liaisons section of the Central Exhibition in the Arsenale complex, which was the largest production center in Venice during the pre-industrial era.

“Having our faculty members from Penn State invited to be part of the Venice Biennale is a tremendous accomplishment,” said Dan Willis, interim head of the Department of Architecture. “It speaks volumes about the talent we have teaching our students, and the relevancy of their work beyond the walls of academia. We are proud to have them represent our department and Penn State in Venice.”

Penn State

Stuckeman School professor named Civitella Ranieri/WJOR Architecture Fellow

 

UNIVERSITY PARK, Pa. — Felecia Davis, associate professor of architecture in the Penn State College of Arts and Architecture’s Stuckeman School, has been named the WJOR Architecture Fellow by the Civitella Ranieri Foundation, which comes with a $15,000 award to produce an architectural project at the Ranieri Castle in Umbria, Italy, from June 7 to July 17.

As director of the Computational Textiles Lab (SOFTLAB) in the Stuckeman Center for Design Computing, Davis’ research focuses on designing lightweight textiles that change properties in response to their environment.

For the fellowship, Davis plans to expand on the “Flower Antenna” project she completed in 2020 for the Museum of Modern Art’s “Reconstructions: Architecture and Blackness in America” exhibition. The Flower Antenna featured a black textile flower that was made up of 34 different knitted cones and was suspended from the MoMA ceiling. Some of the cones had copper yarn embedded into them, making them active and receptive to electromagnetic waves.

“The use of electromagnetic waves as a media output as raw sound was meant to call visitors’ attention to this invisible electromagnetic system that connects all of us through the Internet, the radio and other devices that rely upon electromagnetic waves to function,” said Davis.

The cones picked up sounds throughout the MoMA galleries, which were then amplified by a speaker, so visitors heard sounds of different electromagnetic waves as they walked around the Flower Antenna.

Davis’ project that will be installed in the Civitella Ranieri is titled “We Are in The Wake” and is inspired by Christina Sharpe’s writings in her book “The Wake: On Blackness and Being.”

“I am interested in expanding my work with this invisible media of electromagnetic waves as part of a new textile-sensing structure that can be built on the premises of the Ranieri Castle grounds,” said Davis. “It is a fantastic honor to have this opportunity to work in the inspiring environment of Civitella among the other writers and artists who will be there. The Umbria region is rich in crafts, such as weaving and ceramics, that have been practiced for centuries. I plan to develop a project with what is there locally.”

The Civitella Ranieri Foundation is a residency program for international writers, composers and visual artists that invites 12 to 15 fellows for a residency fellowship of six weeks from May through October each year. The fellows are chosen through a competitive nomination and jury process for each discipline.

University of Texas at Austin

Heather Woofter Named Dean of The University of Texas at Austin School of Architecture

 

The University of Texas at Austin has appointed Heather Woofter as dean of the School of Architecture. Woofter currently serves as director of the College of Architecture and the Graduate School of Architecture & Urban Design at Washington University in St. Louis, Missouri. Her appointment will begin Aug. 15. She succeeds Michelle Addington, who will step down after six successful years as the school’s dean.

As the Sam and Marilyn Fox Professor in the Sam Fox School of Design & Visual Arts at Washington University, Woofter is a nationally recognized leader with a history of success and impact — both in industry and academia. Her practice converges in the media, arts, and cultural fields, exploring the relationship between research, writing, exhibition, and collaboration. She is a passionate educator who teaches the Practices course for first-year students, as well as advanced design studios at both the undergraduate and graduate levels. She holds a Bachelor of Architecture degree from Virginia Tech and a Master of Architecture degree from Harvard University.

“Architecture, planning, and the disciplines of the built environment have significant impact on our society,” said Jay Hartzell, UT Austin president. “Their interdependencies with business, engineering, the arts, policy, and beyond speak to the opportunities for the School of Architecture to work across the University to improve urban life and the human condition. Heather’s impressive contributions in academia and architectural practice strongly align with our pursuit of building partnerships and preparing our students to positively impact the world around us. Her accomplishments speak to our continued commitment to attract the greatest talent nationally and from around the world.”

Prior to her tenure at Washington University, she was an assistant professor at Virginia Tech. She has also held visiting professor appointments at Konkuk University in South Korea and Aristotle University of Thessaloniki in Greece.

As a registered architect, Woofter has been an adviser to several major community projects, including the Saint Louis Symphony Orchestra and the Brickline green infrastructure projects in the St. Louis region. She is the owner and co-design principal of the design firm Axi:Ome, known internationally for its award-winning designs in architecture, master planning, and industrial design. Architectural projects in St. Louis include a university public radio station; Art Walk, an urban corridor project supported by a National Endowment for the Arts grant; and the Center of Creative Arts addition to an Eric Mendelsohn building.

In addition, she received recognition for her work with architects and firms such as Bohlin Cywinski Jackson in Pennsylvania, Marks Barfield in London, and Robert Luchetti Associates in Massachusetts.

“It is an honor to join the UT Austin community and the distinguished faculty, students, and staff in the School of Architecture,” Woofter said. “I look forward to future collaborations across campus and advancing our community vision in research and the design practices. UT Austin is unique because of its breadth of exceptional allied disciplines within the School of Architecture, expanding the cultural discourse while tackling pressing issues of the contemporary world.”

Known for her interdisciplinary view and practice, Woofter has worked with historians and artists, and guest-curated at the Mildred Lane Kemper Art Museum. She also co-authored an interdisciplinary grant from the International Center for Energy, Environment, and Sustainability titled “Resilient Cities” that supports faculty research projects in St. Louis.

“Heather is a successful, strategic and collaborative leader who brings a wealth of experience — in both academia and architecture practice — to our campus and community,” said Sharon L. Wood, executive vice president and provost. “Beyond her role as an academic leader, Heather’s contributions to the city of St. Louis have been highly impactful, and I look forward to working with her as she strengthens partnerships in Austin and advances the School of Architecture’s position among the nation’s very best.”

Woofter will succeed Addington, who has served as dean since 2017. Addington, who has been a passionate leader for the school, has increased its impact with the City of Austin through significant collaborations around transportation, housing, and gentrification. She also increased the school’s capacity for teaching and global collaboration, creating 29 new permanent endowments and over $17 million in grants and sponsored research during her tenure.

University of Nebraska-Lincoln

A CALL FOR PROPOSALS: Beyond Aesthetics and Exclusion: New Directions in Historic Preservation and Public History

Beyond Aesthetics and Exclusion: New Directions in Historic Preservation and Public History

Edited by
Kathleen Powers Conti, Assistant Professor of History, Florida State University
Frank Ordia, Lecturer of Architecture, University of Nebraska – Lincoln

How do communities practice historic preservation and public history while advocating for themselves, their histories, and their environment? How do structural and implicit biases affect how preservation is legislated, implemented, and taught? What should the future of preservation and public history look like, especially in light of climate change, questions of accessibility, and calls for racial justice?

This edited interdisciplinary volume seeks to curate a broad selection of case studies from practitioners, community members, and academics that delve into contemporary issues that are often unaddressed. We strongly encourage submissions by and/or those highlighting the contributions of underrepresented individuals in historic preservation, public history, architecture, planning, and other related fields. We believe that your contribution is instrumental to not only advance understanding of systemic inequities but also shape the direction of how we address those issues.

We welcome chapter submissions that challenge conventional approaches and spark change in perspective and practice through topics such as:

• The role of historic preservation and public history in marginalized, underrepresented, and historically disenfranchised communities
• Critical perspectives on resilience within preservation in the face of climate change and natural disasters, especially new approaches at the planning, policy, systems, and building scales
• Exclusionary aspects of historic preservation and public history, particularly related to disability, race, gender and sexuality, and socio-economic factors, among others
• Archives as social justice, including through oral history
• Creative public history interpretation and place-making, particularly at sites of demolition
• Innovative approaches to accessibility and adaptive reuse, especially for affordable housing and lower-income property owners
• Innovative pedagogical approaches, both in the classroom and in the community
• De-colonizing policy, practice, and education
• Labor, wages, and working conditions within preservation and public history
• Ways to combat the field’s exclusionary tendencies for prioritizing aesthetics and monumental architecture built for those who traditionally wielded power

Submission requirements: Please submit a chapter proposal of 500-700 words and a brief bio to Conti.Ordia@gmail.com by August 1, 2023. Please feel free to email us with any questions. Contributors will be notified in September, with final chapters (5,000 to 7,000 words, including citations), due January 10, 2024.  *This volume is currently under consideration with a leading academic press*

Penn State

Award-winning architect named head of Penn State Department of Architecture

 

UNIVERSITY PARK, Pa. — Frank Jacobus has been named head of the Department of Architecture in Penn State’s Stuckeman School in the College of Arts and Architecture, effective July 1. An architect, designer, artist and educator, he has spent 16 years in higher education, most recently serving as associate department head in the Fay Jones School of Architecture and Design (FJSOAD) at the University of Arkansas. He is recognized by the American Institute of Architects and is currently the principal of SILO Architecture, Research and Design.

Jacobus’ professional design work and creative practice has received national and international attention for its experimental and resourceful approach. His work with SILO has been recognized with numerous publications, exhibitions and design awards, including as an Emerging Voice by The Architectural League of New York in 2016, a Next Progressive by Architect Magazine in 2018 and AN Interior’s list of Top 50 American Architects of 2021. In 2022, SILO was chosen by the Walton Family Foundation for inclusion in its Design Excellence Program that uses design to drive vibrant, inclusive communities by promoting the highest level of design in the development of public buildings and spaces. SILO’s work has been featured by The Wall Street Journal, CNN, Architect, the Architect’s Newspaper, Azure, Slate, Dwell, Salon, Fast Company and others.

“Frank Jacobus’ broad experience as an award-winning architect, academic administrator and committed educator position him to effectively lead the Department of Architecture with an eye toward the future and how we can continually improve the experience for students,” said B. Stephen Carpenter II, Michael J. and Aimee Rusinko Kakos Dean in the College of Arts and Architecture. “His commitment to openness and innovation will benefit students and faculty alike.”

Jacobus has taught and coordinated all levels of design studio and has led numerous design-build projects in positions at the University of Idaho and the University of Arkansas. In addition to his administrative position at the University of Arkansas FJSOAD, he served as 21st-Century Chair of Construction and Technology, where he led design-build, fabrication and advanced technology initiatives.

Jacobus said he values the College of Arts and Architecture’s unique blend of art and design programs.

“This strategically positions the college to provide visionary leadership in areas vital to social and environmental progress,” Jacobus said. “It is from this science- and arts-infused foundation that we will serve as a leading national and international voice, responsive to the most important social, environmental, technological and cultural challenges of the 21st century.”

Jacobus’ published works include “Archi-Graphic: An Infographic Look at Architecture,” by Laurence King in 2015; “The Visual Biography of Color,” by Oro Editions in 2017; “The Making of Things: Modeling Processes and Effects in Architecture,” by Routledge in 2021; “Architectonics and Parametric Thinking,” by Routledge coming this year; and “Artificial.Intelligent.Architecture,” by ORO Editions also coming this year.

According to Jacobus, the role of department head is a design position.

“I tend to operate along the lines of an idea I learned from David Epstein in his book ‘Range’: we know who we are when we see what we do,” Jacobus said.

Penn State

Interim architecture department head to retire after 35 years at Penn State

 

UNIVERSITY PARK, Pa. — A strong drive to always learn more has been one of the defining elements of Dan Willis’ career at Penn State. Willis, interim department head and professor of architecture in the College of Arts and Architecture’s Stuckeman School, is retiring June 30.

Willis, who began teaching at Penn State in 1987 and served as department head from 2002-09, has been a practicing architect his entire career at the University. With a bachelor’s degree in architecture from Carnegie Mellon University, Willis earned his master of science from Penn State in 1989. He went on to work at a variety of architecture firms in Pittsburgh, including Gordon Ketterer Associates and Astorino.

In his time at Penn State, he taught architectural design studios, most recently with a focus on sustainable urbanism. Overall, his research interests lie in architectural theory and philosophy, with an emphasis on the relationship between materials, construction methods and design.

For Willis, the decision to transition into academia in the 1980s was partially due to his desire to spend more time thinking about architecture.

“I wanted to have the opportunity to learn more, to read more books, to be able to think things through in a way that I couldn’t really do when I was practicing full time,” Willis said. “I always thought it would be fun to teach, that it could be an enjoyable lifestyle.”

Willis said a few prominent colleagues were inspirational as he made the transition from full-time architect to professor three and a half decades ago.

“My friend Katsu[hiko] [Muramoto] and I started at Penn State at the same time, and we shared an office for a year — I learned a lot from him,” Willis said. “A retired faculty member, Don Kunze, also taught me a lot.”

Muramoto described Willis as a “man of many talents.”

“What Dan knows best is the value of sharing,” Muramoto said. “He has spent more than three decades sharing his knowledge and wisdom not only with his students in the studio and his professional practice class, but also with his colleagues as our department head on more than one occasion. Dan understands that in sharing what he knows, he helps all of us to succeed — and for that, we are grateful.”

Lou Inserra, who was a professor emeritus of architecture at Penn State and passed away in 2020, was also a particularly influential figure for Willis, he said.

“I watched how [Inserra] did things and taught, but he told me, ‘Don’t try to be like me. You have to figure out what works for you,’ which was really good advice,” Willis said.

Willis developed his own teaching style and learned to form meaningful connections with his students. Once he became immersed in life at Penn State, Willis said he realized how accessible new ideas were in his role.

“Probably the most fun part about an academic career is it forces you to constantly learn new things,” Willis said. “As much as it seems like we know things, and we tell the students what we know, it also works the other way. I’ve learned a lot from my colleagues and from the students.”

Willis said he has valued having “intellectual stimulation” every day at Penn State from interacting with both students and colleagues.

“I’ll talk to a student about their project, and they’ll approach it and have an idea of how to design it that I’ve never thought of, that I’ve never seen before,” Willis said. “So, it forces me to react to that and try and think it through and understand what they’re doing. That happens all the time — every day.”

One of Willis’ career highlights was his collaboration with architect and 1969 Penn State architecture alumnus Louis Astorino for the renovation of the Recreation Building on the University Park campus in 2001. His work earned a design award from the American Institute of Architects, Pennsylvania chapter.

“Because it’s on campus, the place where I go to watch wrestling and volleyball, that’s a project that was a highlight for me,” Willis said. “For Rec Hall, what I envisioned is what we built, which was satisfying.”

Willis has several other career achievements, including winning the American Society of Architectural Illustrators Hugh Ferriss Prize in architectural drawing for an exploratory project, a memorial to Edgar Allan Poe. The Poe project was also published in Landscape Architecture magazine as the winner of a “visionary landscapes” competition.

Willis also wrote “The Emerald City and Other Essays on the Architectural Imagination,” which was published by Princeton Architectural Press in 1999. He served as a co-editor and contributor to two other books: “Architecture and Energy: Performance and Style” in 2013 and “Energy Accounts: Architectural Representations of Climate, Energy and the Future” in 2016.

Paul Daniel Marriott, associate professor of landscape architecture in the Stuckeman School, collaborated with Willis to teach a studio course the last several years and co-authored a chapter for a forthcoming book with him on high-density urban design, a field in which Marriott said Willis’ research is “highly respected.”

“Dan is a mentor, friend and co-conspirator in a quest to blur the edges between architecture and landscape architecture,” Marriott said. “He is a true designer — open to ideas, circumspect and intellectually curious about all aspects of the built environment. The warm affection from his students, past and present, is his legacy and our gift for a sustainable imprint on the future.”

To mark his last semester at Penn State, Willis opened an exhibition in January in the Rouse Gallery titled “35+ Years of Drawings by Dan Willis and His Students,” which showcased drawings and models from both himself and past architecture students. The exhibition included work from the 1980s, 1990s and 2000s.

Willis hosted a reception when the exhibition first opened and said seeing the alumni who came to visit the display was the best part.

“That opening reception was really nice, really great,” Willis said. “A lot of my former students came, so it was great to see them. It was worth it even though it was a lot of work. Quite a few people came to see it after that and would email me or let me know they had seen it. I’m happy I did it.”

As he leaves Penn State behind, Willis said he hopes the success of the architecture department continues, predicting it to continue to be a “popular major” for artistic students.

“For most of the time I’ve been here, the students that have graduated have been very well prepared to work in the profession; but they’ve also just been generally smart, really clever, creative people,” Willis said. “I hope we can continue to have that quality of students, because some of them are really bright, and it’s even inspiring to see what people just three or four years after graduation have done in their careers.”

Despite entering retirement from teaching, Willis said he still plans to practice architecture on his own, in addition to spending time with his wife and two sons.

The family has hopes to travel more in the future, and Willis said he looks forward to showing his family around Rome specifically, where he taught for a semester.

Overall, a drive for learning and thinking in new ways and the ability to forge meaningful connections with colleagues and students have been the cornerstones of Willis’ Penn State legacy.

“I had a good experience at Penn State, a good career,” Willis said. “Overall, I’m just appreciative that I had a really interesting, rewarding career. I consider myself lucky.”